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A writer, blogger, and web designer born in New York, educated in Argentina, Scotland, and South Africa, and now based in London.
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By all accounts last Sunday’s Rosary on the Coast was a resounding success. The initiative started out in Poland, where last year thousands of Catholics gathered at the nation’s borders and coastline to pray for the salvation of Poland and the world. Then a month later Ireland joined in with a Rosary on the Coast for Life and Faith, encircling the country in prayer.
Last Sunday, Great Britain got in on the action, and for three countries which have suffered centuries of Protestant domination it seems we have done rather well on these shores. Thousands of people from every variety of ethnicity, class, background, and experience gathered to pray the Rosary “for the spiritual wellbeing of our nations” (as the organisers put it).
The Rosary on the Coast was organised by lay people but supported by the Cardinal Archbishop of Westminster as well as many other bishops and of course priests, many of whom accompanied and led in prayer the lay-organised groups around Britain. The rectors of the three national Marian shrines at Walsingham in England, Carfin in Scotland, and Cardigan in Wales all gave their backing and encouragement to the initiative.
Experience has taught me not to be surprised by the success of such ventures. I remember when the Cardinal renewed the consecration of England & Wales to the Immaculate Heart of Mary (with the visit of the Fatima visionaries’ relics). I didn’t have plans to go but friends were driving in from the West Country for it so I thought I’d meet up with them beforehand and go along.
We tried to get in but the doors of the cathedral were shut and a crowd waiting outside – it turned out the church was packed to the gills with the faithful. A pint later we tried again and they had just reopened the doors and let us in. Every bit of the mother church of the diocese was crammed with people, from Filipino maids to peers of the realm. Pews, aisles, side chapels – there was barely room to move. Priests were hearing confessions and the service was ongoing. We’re so used to being an embattled minority that sometimes we forget that we’re still the biggest show in town.
The good people at the Catholic Herald have , of which just a small sample are presented here.
The interior of Eton’s chapel has changed markedly over the past hundred or so years, mostly so thanks to the rediscovery of the priceless medieval wall paintings which had been hidden for centuries by the choir stalls. Painted in the Flemish style in 1479–87, they were whitewashed over by the college barber in 1560 on orders from the wicked new Protestant authorities who had taken over this Catholic school.
The wall paintings were rediscovered in 1847 but it wasn’t until 1923 that the stall canopies in the photograph above were permanently removed, allowing the medieval paintings to be cleaned, restored, and permanently viewed.
In addition to this, in the 1880s (after this photograph was taken) the Great Organ was installed in the broad entrance arch between the narthex and the body of the chapel. The Victorians very handsomely painted it in the medieval fashion and it fits in rather well.
More recently, most of the stained glass was blown out by a German bomb landing in the adjacent Upper School in 1940. A decade later, deathwatch beetles claimed the wooden roof, which was then replaced by fan vaulting (of stone-fronted concrete) in line with the original intentions of Eton’s holy founder, King Henry VI.
With thanks to G.A.R. for showing us round.
What the Practice of ‘Pricking the Lites’ Tells Us About Territorial Division in Anglo-Saxon England
As cheekily noted by Ned Donovan , HM the Q has recently engaged in the old practice of ‘pricking the lites’ to appoint High Sheriffs for the three ceremonial counties of Lancashire, Greater Manchester, and Merseyside. But in order to know what ‘pricking the lites’ is it’s worth looking at the territorial division of Anglo-Saxon England and the old offices that emerged therefrom.
In those days, the land was divided into hides, a hide being the amount of land on which a family lived and supported itself. Ten hides together were known as a tithing, and ten tithings were collectively a hundred.
As hundreds go, the best-known today are the Chiltern Hundreds because of the parliamentary role they play. Members of Parliament are not allowed to resign, but nor are they allowed to hold an office of profit under the Crown.
So whenever an MP wants to resign, he or she is appointed Crown Steward and Bailiff of the three Chiltern Hundreds of Stoke, Desborough, and Burnham and, having accepted such office, is deemed to have disqualified themselves from continuing to sit in the House of Commons. (The Manor of Northstead is also used alternately with the Chiltern Hundreds.)
Anyhow, each hundred was supervised by a constable, and groups of hundreds were collected into shires. Each shire was overseen by an earl, of whom the French equivalent is a count, so after the Normans turned up shires became more often known as counties. These now divvy up territory across the English-speaking world, from Kenya to California.
Each level of these Anglo-Saxon divisions had a relevant court for decision-making, and the officer who administered or enforced these decisions was known as the reeve. Amongst these titles – town-reeve and reeve of the manor, etc. – there was the shire-reeve, or sheriff as it was contracted.
In the 1970s, for reasons unknown to me, all the sheriffs in England & Wales were elevated to high shrievalties.
Every February or March, a parchment is prepared for the Queen in her capacity as Duke of Lancaster with three names of candidates for high sheriff in the three current ceremonial counties covered by the old duchy. This parchment is known as the lites (a cognate of ‘list’, I believe).
At a meeting of the Privy Council, the Queen takes a silver bodkin and pricks the parchment next to the name of the candidate she chooses to be high sheriff. In practice, this is always the first name on the list, and customarily the following names move up a notch and serve in later years.
A similar process takes place for the Duke of Cornwall to appoint their high sherriff but without the aid of the Privy Council.
Officially there are or have been various Londons: first the City of London, founded in AD 43 and a mere square mile to this day, then the
created in 1889, and the creature called Greater London has also existed in varying shapes and forms since 1965.
But there is also the Port of London, which has existed since the first century and was once the busiest port in the world, bringing the riches of empire to the metropolis from the four corners of the earth.
The arms of the City of London, London County Council, and Greater London Council.
All these Londons, of course, have over the centuries been granted or assumed their own coats of arms as heraldic emblems of their importance. The Port of London Authority was created in 1908 by an Act of Parliament which some scholars argue is the first law in the world mandating codetermination or workers’ participation in the board.
Its coat of arms was granted a year later in 1909 and features on its shield Saint Paul, the patron saint of London bearing his usual sword, issuing forth from the Tower of London.
The crest above the shield is a galley bearing on its mainsail the arms of the City of London — the Lord Mayor is ex officio the Admiral of the Port of London.
Sea lions act as supporters, also bearing standards of the royal arms of England and of the United Kingdom, while the motto proclaims in Latin May the Port of the Empire Flourish.
For proper heraldry nerds, the arms are blasoned:
Shield: Azure, issuing from a castle argent, a demi-man vested, holding in the dexter hand a drawn sword, and in the sinister a scroll Or, the one representing the Tower of London, the other the figure of St Paul, the patron saint of London.
Crest: On a wreath of the colours, an ancient ship Or, the main sail charged with the arms of the City of London.
Supporters: On either side a sea-lion argent, crined, finned and tufted or, issuing from waves of the sea proper, that to the sinister grasping the banner of King Edward II; the to the sinister the banner of King Edward VII.
Befitting the Port of the Empire, the Authority built a grandiose headquarters at 10 Trinity Square, overlooking the Tower of London featured in its coat of arms.
The PLA moved out ages ago and the building is now a hotel, but it often features in films and television as a government (most prominently in the 2012 James Bond film ‘Skyfall’).
The Port of London Authority has its own flag (above) as well as its own ensign — a blue field with a Union Jack in the canton and in the fly a golden sea lion bearing a trident. Distinctive pennants also exist for the Chairman and Vice Chairman of the Authority. (These can be seen .)
After its foundation the PLA rationalised the layout and organisation of London’s dock system, and their significant constructions allowed the Port to displays its arms on numerous buildings.
(above) was recently sold by Westland London.
The main shipping terminal of London is now far down-river at Tilbury and the Authority no longer owns any docks. Its duties however are still numerous — control of Thames ship traffic, navigational safety, pier & jetty maintenance, and conservation — so the century-old Authority still keeps itself quite busy looking after a millennia-old port.
February 23,
Who may sit on the steps of the throne in the House of Lords?
Much was made of the Prime Minister’s decision to sit in the House of Lords when they were going through stages of the bill to invoke Article 50 last year. Theresa May had the right to sit on the steps of the throne in the Lords chamber by virtue of being sworn to the Privy Council, as all holders of the four Great Offices of State are (and usually their opposition Shadows as well).
But who else is granted the privilege of lodging their posterior in such a prominent locale?
The Companion to the Standing Orders and Guide to the Proceedings of the House of Lords provides some guidance:
February 9,
Crossing the Thames as I walked home from the pub last night, I looked down the river and saw the sturdy dome of St Paul’s standing out, illuminated in the winter night.
As it happens, it was exactly seventy-seven years ago last night — on the 29th of December 1940 — that
often called ‘St Paul’s Survives’ (above) was captured.
Hopeful as that sight must have been, it was a pretty grim time. But four and a half years later (below) the cathedral was illuminated not by the lights of enemy firebombs but by great searchlights forming a massive ‘V’ in the sky: it was 8 May 1945 — Victory in Europe.
Another year gone. We’ve survived.
December 30,
One of the great triumphs of Magna Carta was the assertion of the right of those accused of crimes to trial by one’s peers, or per legale judicium parium suorum if you insist on the Latin. For commoners this meant trial by other commoners, but for peers it meant just that: trial by other peers of the realm. It was a bit murkier for peeresses, though after the conviction for witchcraft of Eleanor, Duchess of Gloucester, (sentence: banishment to the Isle of Man) statute was passed including them in the judicial privilege of peerage.
Thanks to the
and the , there were a number of trials in the House of Lords in the eighteenth century, including that of the Catholic martyr Earl of Derwentwater. The whole of the nineteenth century, however, witnessed but one: the 7th Earl of Cardigan was acquitted of duelling by a jury of 120 peers. In 1901 the 2nd Earl Russell was found guilty of bigamy, and the last ever trial came in 1935 when the 26th Baron de Clifford was found not guilty of manslaughter.
Cardigan’s trial was in the temporary Lords chamber while the last two trials took place in the Royal Gallery of the Palace of Westminster (central to ). For Cardigan’s trial the Lord Chief Justice of the Queen’s Bench was appointed Lord High Steward for the occasion, while for the final two the Lord Chancellor was likewise appointed to the role in order to be presiding judge with the Attorney General prosecuting the case.
The Royal Gallery is primarily used for the State Opening of Parliament (as above) and for the occasional address to both Houses of Parliament when important figures are invited to do so. De Gaulle was famously invited to speak here to both houses rather than in the larger Westminster Hall. It is thought that this is because the walls of the Royal Gallery feature two large murals, one of the Battle of Trafalgar, the other of the Battle of Waterloo – both British victories over the French.
The most famous trial in the Royal Gallery was fictional. In the 1949 Ealing comedy “Kind Hearts and Coronets”, the 10th Duke of Chalfont is tried for the one murder in the film’s plotline he didn’t actually commit. Ealing Studios did a mock-up of the chamber for the occasion (above), which compares reasonably accurately with the Royal Gallery as set up for the Baron de Clifford’s trial in 1936 (below).
The Lords, however, were uncomfortable with exercising this judicial function and passed a bill to abolish the privilege in 1937. The Commons, facing more serious tasks, declined to give it any attention. In 1948, the Criminal Justice Act abolished trials of peers in the House of Lords, along with penal servitude, hard labour, and whipping.
At Chartwell one weekend in Churchill’s presence, Sir John Rodgers made the mistake of referring to Clement Attlee, wartime deputy prime minister and postwar prime minister, as “silly old Attlee”. Churchill was having none of it.
“Mr Attlee is a great patriot,” he said. “Don’t you dare call him ‘silly old Attlee’ at Chartwell or you won’t be invited again.”
The leader of the Conservative party and the leader of the Labour party were obvious political rivals but developed a great bond by their shared experience in the cross-party War Cabinet.
En route to a dinner party the other night I happened to run into Attlee’s greatgrandson (an old friend) on the upper deck of the 414 bus. It reminded me of this photo (above) printed in the Observer. When the great bulldog went on to his eternal reward in 1965, the incredibly frail Earl Attlee insisted on attending the state funeral in St Paul’s Cathedral. Though younger, he only managed to outlive him by two years.
Attlee had been raised to the House of Lords (where he spoke against Britain joining the EEC) in 1956 and, rather appropriately, he chose as the motto for his coat of arms Labor vincit omnia — Labour conquers all.
Challoner’s House — Rather humble for an episcopal palace, but such was the function of No. 44, Old Gloucester Street in Holborn during the time of Bishop Richard Challoner.
If it seems an odd spot for London’s Catholic bishop, it can be explained by its close proximity to the chapel of the Sardinian Embassy off Lincoln’s Inn Fields. At this time, of course, the Mass was still illegal and the only places Catholics in London could worship were the embassies of the Catholic nations. To protect the underground bishop, the house in Old Gloucester Street was actually rented in the name of his housekeeper, Mrs Mary Hanne.
After a perfect breakfast on Saturday morning the sun was shining so I decided the three-and-a-half miles home from St Pancras were best managed on foot. If architectural or historical curiosities are your fancy then foot is the way to travel, and so it was by pure chance that I stumbled upon No. 44. It seemed particularly appropriate that the night before a whole gang of us — Brits, Swedes, Italians, etc. — had been drinking in the Ship Tavern in Holborn where Bishop Challoner was known to offer the occasional clandestine Mass.
Via delle Quattro Fontane, Rome
Next month I’m off to Rome and the last time I was there I happened to walk past the old Scots College on the via delle Quattro Fontane. The Pontifical Scots College is probably the oldest Scottish institution abroad and certainly one of the most important, both historically and today. As Scotland’s primary seminary it has — almost literally — helped form the soul of the country, particularly during times of widespread persecution back in the mother country.
The church of Sant’Andrea degli Scozzesi (St Andrew of the Scots) was built in 1592 during the reign of Clement VIII, and early in the seventeenth century the church and neighbouring hospice were given over to the Scots College which had been founded a few years before. The seminary building itself was (I believe) built much later, in the nineteenth century after the college briefly ceased instruction due to the tumult of the French Revolution.
Sadly the building was not very well maintained and by 1960 it was falling apart. It was decided to sell the old college buildings in the Via delle Quattro Fontane and move to a larger site out the middle of nowhere in the Via Cassia. The move was made in 1964, and the Scots College has remained there ever since, while the old college housed a bank for many years and more recently a lawfirm.
February 28,
Peers & MPs could still convene in the Palace during renovations
The Royal Gallery set up for temporary use as the House of Lords chamber
Credit: Anthony Delarue Associates
MPs are kicking up a fuss about the controversial proposals to shut down the entire Palace of Westminster for perhaps as long as eight or nine years. (Previously mentioned .) The building is completely structurally sound, and on solid foundations, but the accumulation of mechanical, electrical, and technological systems over the course of the past 150 years has created a confused mess within the walls of the palace. Electrical lines compete with fibre-optic cables, telephone wires, not to mention various heating and cooling pipes, and even some lingering telegraph wires. No one’s quite sure what is what and all of it is getting older. Even just accessing it to figure out what to do requires taking the building apart — removing wood panelling, drilling through walls, etc.
Parliamentary authorities commissioned management consultants from Deloitte to come up with a number of options on how to tackle this problem, but in their Independent Options Appraisal they treated this merely as an ordinary engineering job, rather than recognising the Palace as one of the most important places in British history both medieval and modern and, importantly, one still in constant daily use.
The Joint Committee formed of members of both the Lords and Commons perhaps unsurprisingly endorsed the option Deloitte claimed was the quickest and cheapest: that the Lords, Commons, and everyone else be chucked out of the Palace entirely and that temporary accommodation be found nearby.
Further investigation by respected former minister Shailesh Vara MP suggested that Deloitte had failed to take into account that any VAT costs on this major project go back into the Treasury anyhow, and that there was a failure to account for the loss of revenue if the Lords are moved into the government-owned Queen Elizabeth II Conference Centre nearby. The QE2 is a profit-making venue popular with private clients, after all, and deploying it towards full-time legislative use will mean another significant loss for the Treasury. Meanwhile, in the courtyard of Richmond House on Whitehall, ?59 million would be spent on building a new chamber for the House of Commons. This would be a permanent ‘legacy’ structure even though once the renovations to the Palace are complete there would be no use for it whatsoever.
The architect Anthony Delarue, having been taken on a tour of the Palace’s working underbelly by the engineers from the Restoration and Renewal programme, came up with an alternative proposal. Looking at the structure of the House of Lords chamber and the adjacent Royal Gallery, he realised that these two rooms could be maintained and occupied, with temporary services (electricity, heating, etc.) run from external sources. This would allow the renovation team to shut down the Palace’s systems entirely and re-do them completely, while the spaces in mind would still be able to be put to use. The Commons could then meet in the Lords chamber (as ) and the Lords could meet in the Royal Gallery. Or indeed vice versa depending on the wishes of both Houses.
The advantages of this are no need for taking up the QE2 conference centre (with consequent loss of revenue for the Treasury) and no need to waste tens of millions on a temporary-but-permanent Commons chamber in the courtyard of Richmond House. In addition, both houses would be allowed to maintain their presence in the Palace of Westminster, in accommodation suitable to the traditions of the “Mother of Parliaments”.
Of course, the Restoration and Renewal programme ran a “high level review” of Delarue’s proposals and pooh-poohed the whole idea, amazingly claiming that it would probably cost ?900 million more than the Deloitte option the Joint Committee preferred. Anthony Delarue has now written some comments responding to this review, pointing out that it relies on outrageously pessimistic estimates of timing, assumptions that are beyond the worst-case scenarios of project management.
MPs were expected to debate the matter last month, but the campaign organised by Sir Edward Leigh MP and Shailesh Vara MP has found considerable support among other Members of Parliament and it is believed the powers that be are looking for a delay. The Government have promised a free vote on the issue when it comes up for debate, which may very well be before the end of February.
Further Documents
Credit: Anthony Delarue Associates
February 2,
Holy Trinity, Kingsway
Not much information is available about this church. The architect was John Belcher but the ambitious tower was never built, nor was there much money to complete the interior.
After it was made redundant in the 1990s the church was demolished — except for the fa?ade so obviously influenced by .
February 1,
Richard Stone, H.M. Queen Elizabeth II
1992; Oil on canvas, 96 in. x 60 in.
January 24,
Members of Parliament are currently battling one another over plans for the ‘restoration and renewal’ of the Palace of Westminster. One side, backed by management consultants and the Joint Committee report, say the whole place has to be shut down completely for years starting in 2020. The other, led by Sir Edward Leigh MP and Shailesh Vara MP, says if work is so urgent it should start immediately, but that both the Commons and the Lords should continue to meet within the Palace, preserving centuries of tradition and keeping up the dignity and ceremony for which Great Britain is known.
With ideas flowing back and forth, outsiders to the Westminster bubble have put forth their own ideas — the architect
has received the most serious consideration so far — and the global design firm Gensler has weighed in with .
Gensler’s idea calls for a floating slug bearing a distinct resemblance to the Gherkin to be built and moored alongside the Palace of Westminster. This floating parliament would have plenary chambers for both the House of Lords and the House of Commons as well as committee rooms and other meeting places necessary to the functioning of the legislature.
While it’s a serious idea, the floating slug is not under actual consideration but is merely a conceptual exercise put out there by Gensler. Security concerns alone would lead to its rejection, not to mention worry over the hole in the historic fabric that would need to be punched through in order to access the slug.
January 23,
An interesting video from two American academics on the subject of Mendicant architecture in mediaeval Oxford, with some three-dimensional theoretical reconstructions of the Dominican and Franciscan houses in the city.
Both orders returned to Oxford in the twentieth century. The Capuchins refounded Greyfriars in 1910 and it was recognised as a permanent private hall (PPH) of the University in 1957. Its end as an academic institution was announced sadly on its fiftieth anniversary in 2007, but Greyfriars continues as a Capuchin friary.
Blackfriars under the Dominicans is still going strong, exercising a triple function as a priory of the Order of Preachers, a house of studies for the English province of the Order, and a PPH of the University of Oxford.
December 12,
After some absence,
has returned and, in , he weighs in on the very important matter of judicial dress.
I am, it will surprise no-one to know, deeply traditionalist in such matters. I can see the argument for discarding formal court attire in cases involving children, who might be intimidated by wigs and gowns (as a child, I myself would have been as happy as a pig in the proverbial). But I feel strongly that “work clothes”, whether worn by judges, barristers, politicians or clerks in Parliament, are important. They are part of the persona. You are not Alf Bloggs, you are Mr Justice Bloggs and you are performing an important public role. When you put on the clothes, you put on the role. Of course, I am fighting a rearguard action here – I know that the tide of public opinion is against me. If the clerks at the Table in the House of Commons still wear wigs in ten years’ time, I will be (pleasantly) surprised.
As the Supreme Court was set up in the modish New Labour years, it was inevitable they would dispense with much of the ceremonial. The Justices wear lounge suits to hear cases, though I think in some cases the barristers still wear wigs and gowns. The one concession has been the black-and-gold gowns which the Justices don for special occasions. These are fine so far as they go – and, as observed above, Lady Hale of Richmond likes to accessorise hers with a Tudor bonnet – though they bear on the back the badge of the Supreme Court, which I think looks a bit tacky and smacks of footballers’ names and numbers on the back of their shirts. But they also look a bit odd worn over lounge suits or equivalent. At least successive Lord Chancellors since the role was recast by Blair have retained formal court dress for high and holy days. Mind you, the current occupant, Miss Truss, does look a bit like the principal boy in a pantomime when she wears knee breeches. But fair play to her for continuing to wear the traditional robes, even if the full-bottomed wig seems now to have gone the way of the dodo.
It could be worse. The Supreme Court Justices could wear ghastly zip-up gowns like their American counterparts – you just know they’re made of nylon – over their suits, though I have some time for Justice Ginsberg for adding a lace jabot to tidy up her garb a little. But ceremonial is something that Britain does so well. The Supreme Court could have looked so much better with Justices in gowns and traditional judicial clothing. A wig here and there wouldn’t go amiss.
I couldn’t agree more. Especially on the matter of the badge of the Supreme Court on the back on the gowns, which is simply naff. (See image below.)
But why do the justices of the Supreme Court have (what I think of as) chancellorial gowns anyhow? What is the origin of this style of black-and-gold gown? Did it start with the Lord Chancellor and spread to the Speaker or vice versa? Or have some species of judge always worn chancellorial gowns? The chancellors of universities have likewise adopted it, though its precise form varies from institution to institution, as one might expect in matters of academic dress.
Incidentally, I was speaking with Bob Geldof the other day about Senator W. B. Yeats, about whom Mr Geldof has done a documentary. As we were discussing Yeats’ contribution to the Irish Senate, Mr Geldof mentioned that Yeats had been in discussions with Hugh Kennedy, the Chief Justice of the Irish Free State, about introducing new designs for Irish judicial dress. The results, according to just about everyone, left much to be desired and so the British tradition carried on for the most part. As is so often the case, doing nothing is the least bad option.
December 8,
Always interesting to see a building you know well from a perspective you’ve never seen before, as in this photo of the Church of St James, Spanish Place, taken from Manchester Mews. The church somehow seems more imposing — like a great rounded keep.
A few months ago I was corralled into some favour or other that required a bit of muscle to move this there and whatnot, the payoff of which was it afforded an opportunity to explore the triforium of this Marylebone church and see the interior of the building from an entirely new vantage point.
It also meant being able to view in better detail the beautiful stained glass windows — many of them the gift of various Spanish royals, given that this parish originates as the chapel of the Spanish embassy (hence its name).
November 7,
View and Perspective of the City of London, Westminster, and St James’s Park
The Dutch engraver & printer Johannes Kip had worked for the stadthouder William of Orange in Amsterdam and unsurprisingly followed the prince to London after the English Revolution of 1688.
This view of London and Westminster is most notable for the unique perspective it takes: a bird’s eye view from above the Duke of Buckingham’s house, later acquired by the Crown and now, as Buckingham Palace, the primary royal residence.
This printing of Kip’s view, which comes up for auction soon at , must have been printed after 1726 as it incorporates Gibb’s steeple of St Martin-in-the-Fields.
October 25,
The charmingly haphazard Church of St Nicholas in Silton is home to what is arguably the finest funerary monument in Dorset not in a major church.
Sir Hugh Wyndham () lived through the difficult time of the Civil War and was first advanced in the law under Cromwell’s military dictatorship. It was the worst of both worlds for Wyndham, as the republican authorities never trusted him while after the Restoration his comfort with Cromwell meant he was deprived of office. Still, Charles II was no small-minded man, and after a royal pardon was granted Wyndham was appointed a Baron of the Exchequer and knighted.
The monument he left behind at Silton is is believed to be the earliest work of the Flemish sculptor Jan van Nost (also known as John Nost the elder). Sir Hugh is depicted in his judge’s robes, flanked by two mourning figures believed to represent his first and second wives. (The third wife is at least represented by having her arms impaled with Wyndham’s in one of the three heraldic sheilds gracing the monument’s surrounds.)
Nost’s sculpture was unveiled in the chancel of the parish church in 1692 but the Victorians thought it rather dominated the small sancutary. In 1869 a small recess was constructed in the north wall of the nave and the Wyndham monument was carefully moved there. The sculptor was also responsible for the monument to John Digby, 3rd Earl of Bristol, in Sherborne Abbey not far away, and one can see the parallels. The Earl, as it happened, married Rachel Wyndham, the younger daughter of Sir Hugh Wyndham.
October 6,
The recent arrival of the new fiver has caused some flurry of excitement and one of the notes finally reached the Cusackian exchequer via the barmaid at the Ox Row Inn in Salisbury on Friday night. I’m indif it’s inoffensive but I’d prefer to see Churchill depicted in his
rather than Yousuf Karsh’s .
My favourite Bank of England note, however, remains the Series D ?50 first issued in 1981 designed by the Black Country artist Harry Eccleston. Sir Christopher Wren lookings crackingly baroque, and St Paul’s Cathedral looms like a great ship over the City of London he helped to rebuild after the Great Fire 350 years ago.
Eccleston was the first banknote designer to work fulltime for the Bank of England which he joined in 1958, retiring in 1983, and introduced the concept of historical figures from British history gracing the back of the notes (which are of course fronted with an image of the Sovereign). This particular note was the first fifty-pound note to be issued since 1943. It was replaced in 1994 and withdrawn from circulation two years later.
September 28,
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