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登录百度帐号The Dreamers (2003) - IMDb
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The Dreamers&()
A young American studying in Paris in 1968 strikes up a friendship with a French brother and sister. Set against the background of the '68 Paris student riots.
(screenplay),
(based on the novel)
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2 wins & 9 nominations.
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Abdellatif Kechiche
Léa Seydoux,
Adèle Exarchopoulos,
Salim Kechiouche
After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ...
Bernardo Bertolucci
Jeremy Irons,
Liv Tyler,
Carlo Cecchi
A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.
Bernardo Bertolucci
Marlon Brando,
Maria Schneider,
Maria Michi
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
Gaspar Noé
Aomi Muyock,
Karl Glusman,
Klara Kristin
A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.
Lars von Trier
Charlotte Gainsbourg,
Stellan Skarsg?rd,
Stacy Martin
The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.
Lars von Trier
Charlotte Gainsbourg,
Stellan Skarsg?rd,
Willem Dafoe
A chef and a scientist fall in love as an epidemic begins to rob people of their sensory perceptions.
David Mackenzie
Ewan McGregor,
Eva Green,
Lauren Tempany
Complete credited cast:
(as Jean-Paul Leaud)
First Buff
Second Buff
The Usherette
Theo's Girlfriend
Paris, spring 1968. While most students take the lead in the May 'revolution', a French poet's twin son Theo and daughter Isabelle enjoy the good life in his grand Paris home. As film buffs they meet and 'adopt' modest, conservatively educated Californian student Matthew. With their parents away for a month, they drag him into an orgy of indulgence of all senses, losing all of his and the last of their innocence. A sexual threesome shakes their rapport, yet only the outside reality will break it up.
Written by
Plot Keywords:
Bertolucci returns to politics & sex.
Motion Picture Rating
Rated NC-17 for explicit sexual content
Parents Guide:
Official Sites:
Release Date: 10 October 2003 (Italy)
Also Known As: Innocents
Filming Locations:
Opening Weekend: &1,321,662
12 October 2003, Limited Release
Opening Weekend USA: $142,632,
8 February 2004, Limited Release
Gross USA: $2,531,462, 6 June 2004
Cumulative Worldwide Gross: $14,082,883, 1 August 2004
Production Co:
Show more on
Sound Mix:
(archive footage)|
Aspect Ratio: 1.85 : 1
Did You Know?
was considered for the role of Matthew.
Matthew and Isabelle swap places as the trio walk along the canal, after the riot.
[first lines]
The first time I saw a movie at the cinématèque fran?aise I thought, "Only the French... only the French would house a cinema inside a palace."
Crazy Credits
The word "events" is misspelled in the sentence stating "The wevents, characters and firms depicted in this photoplay are fictitious."
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Featured in &(2006)
Soundtracks
Song for Our Ancestors
Written by
Published by Sailor Music, Administered in the UK by Windswept Music (London) Ltd
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Licensed Courtesy of EMI Recorded Music Ltd
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The decor for The Dreamers, Bertolucci's sensual and narcotic film is represented by effervescent moments that took place in Paris in 1968. In the same manner in which the house inhabited by the three main protagonists represents a character, so do the Parisian streets, with their trepidation and demonstrations. Contrary to other films directed by this director - who has promised much and delivered even more throughout his career - The Dreamers opens in a fast-paced and provocative manner. The director establishes the cinematic convention precisely, eloquently, and elegantly. It becomes clear that the film deals with furious and beautiful young people who live through the films they devour. In the first five minutes, the heroine of the picture (played impeccably by Eva Green, a theatre actress reminiscent of Isabella Rossellini) announces that she was born in 1959. Logically, it is impossible, seeing that the year is 1968 and she seems to be at least 19 years old. Therefore, she explains further: 1959, Champs-Elysee, where she yelled &New York Herald Tribune!& Suddenly the film cuts to a scene from the classic Breathless (A bout de soufflé) by Godard, where Belmondo's feminine partner sells American newspapers on Champs-Elysee. Consequently, Bertolucci's feminine character believes that she has not been alive until seeing the afore-mentioned film, considered by many the beginning of the New Wave. The idea of interposing images and references to classic films is augmented in The Dreamers. It becomes a means of communication between the characters and in fact it ignites the entire &action& of the film.As in The Last Tango in Paris or Stealing Beauty, sex and sensuality also represent means of expression on which the director relies heavily. Yet The Dreamers rejects the desperation of The Last Tango through a seductive irreverence that indeed characterizes the so-called &enfants terrible& of 1968 Paris. It should be noted that The Dreamers contains various sexual and nude scenes, but that these are by no means as shocking as the sex scenes in The Last Tango were, when that film was released in the 1960s. Since then, video and Internet pornography have occurred and shocking audiences through nudity has become something of a moot point. It is only the MPAA that hasn't grown up. It gave The Dreamers basically the same rating that The Last Tango got, 30 years ago.Undoubtedly, the angles of the shots in The Dreamers are what impresses the most. As in other films by Bertolucci, practically every shot could be cut out and studied hours at an end for its elegance. The three main characters (all played beyond reproach) live their menage-a-trois through concrete gestures and attitudes, as well as through emotions that are suggested by the sublime cinematography.The ending of the film, considered by some critics a weak point, is in fact quite accomplished. American viewers (including some critics) are used to American films, in which the build-up leading to the climax is essentially dynamic, suspenseful or tragic. But the European cinema is different. It often shows how feelings are condensed in a quiet but explosive mixture. This description fits The Dreamers like a glove.Finally, a note for film buffs. In the initial scenes, at the demonstration in front of the Cinematheque, Bertolucci used news reel footage from the '60s with Jean-Pierre Leaud si Jean-Pierre Kalfon (known actors of the New Wave). They are seen giving speeches and throwing paper leaflets to the crowd. In 2003, when shooting the film, Bertolucci got Leaud and Kalfon, now aged, to &reenact& the images from the news reels. The end result is a mixture of new and old images, the former in color, the latter black and white. It is such tricks that Bertolucci uses throughout this nostalgic film that celebrates a certain period, during which the young generation had more meaningful things to fight than computer-simulated monsters.
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